Following the success of Isabella’s room (2004), which looked at Lauwers’ family history, he is now exploring the history of Hertmans’ family, somewhere between art and war, and in the midst of the Flemish struggle.
All the good tells a story about loss and hope. A love story at a time in which Europe is sacrificing its values and a large group of people are succumbing to hate and incomprehension.
The Band Facing the Wrong Way ignores the wall of the theatre against which it is bellowing. It sings past the wall. Or else it gets through it. Or else the wall moves aside. Or not, and everyone and everything crashes into it. What counts is the effort it takes.
Jan Lauwers starts out from the performers’ family trees and is writing a new story based on their various nationalities, cultures and languages.
In Probabilities of Independent Events, Barkey returns to absurdity. Anything is possible. It can’t fail.
This bleak and glimmering allegory about love and death was the last play the legendary filmmaker John Cassavetes wrote before his death.
‘No one can sustain constant praise of life. Death or, rather, the finiteness of human life deserves a song or a dance too.’