Grace Ellen Barkey's recent installations investigate the transposition of a room into a narrow space and invite the viewer to become part of the sensory work. She collects, films and photographs flowers and leaves from her own Brussels city garden and its immediate surroundings and creates “a claustrophobic look at the idea that people are mortal and nature is eternal. Beauty is only beautiful when it is fleeting. Only then is when she gets a history.”

In this installation, Barkey starts from Bambi's perspective. Can we still look at nature innocently?