Karolina Maruszak
 

Performance Aya Suzuki
Choreography Femke Gyselinck
Set & sound installation Toon Quanten
Costumes Nel Maertens
Musical advice Tom Pauwels
Production support Harriet Wouters
Technics Pat Caers & Mike Neyens
Composition vibraphone (Lū for prepared vibraphone) Hugo Morales Murgia
Production Zonzo Compagnie 
Co-production Concertgebouw Bruggen, Needcompany, STUK, Perpodium
in cooperation with Ictus Ensemble
With the support of the Belgian Federal Government's tax shelter through Cronos Invest

Welcome to Karakuri, a world in which movement becomes sound. In a room full of metal objects, a woman appears. Is she real or is she a puppet? Does she move herself, does she hang from invisible strings or is there a mechanism inside her? On her course through the space, sound emerges, rhythms echo and melodies become audible. Suddenly the space seems to answer and take on a life of its own. Who is steering and who is following? Is movement music or is it the other way around?

Karakuri is a performance by three brilliant artists. Japanese percussionist Aya Suzuki is alone on stage. Architect/musician/sound artist Toon Quanten created a wonderful world of musical automata for her. Choreographer Femke Gyselinck (GRIP), weaves music and movement into a wondrous whole.

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Performance Aya Suzuki
Choreography Femke Gyselinck
Set & sound installation Toon Quanten
Costumes Nel Maertens
Musical advice Tom Pauwels
Production support Harriet Wouters
Technics Pat Caers & Mike Neyens
Composition vibraphone (Lū for prepared vibraphone) Hugo Morales Murgia
Production Zonzo Compagnie 
Co-production Concertgebouw Bruggen, Needcompany, STUK, Perpodium
in cooperation with Ictus Ensemble
With the support of the Belgian Federal Government's tax shelter through Cronos Invest

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